"Noise Poetry" combines fragments of me reading one of my poems with other noise strategies in a move complementing the strategy of Emptied Words: speech-as-noise (it is even unclear which language the fragmented text was in, so there is no semiotic code to refer to) becomes part of a sonic continuum in which speech is just one of many aspects of noise.
"Noise Poetry" kombiniert Fragmente meiner Stimme, die eines meiner Gedichte liest, mit anderen Noise-Praktiken. Damit wird der Ansatz von "Emptied Words" ergänzt: Das Sprechen als Geräusch (da nicht einmal klar wird, in welcher Sprache der fragmentierte Text abgefasst war, kann man die Fragmente auf keinerlei semiotischen Code beziehen) wird Teil eines Klangkontinuums, in dem Sprache nur eine von vielen Spielarten des Geräuschs ist.
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